Film Review: Stephen King’s ‘1922’

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Film Review: Stephen King’s ‘1922’
A largely satisfying adaptation of Stephen King’s novella about unappeasable guilt triggered by the mortal sin of murder.
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Film Review: ‘Leatherface’

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Film Review: ‘Leatherface’
This “origin story” is a somewhat mixed bag, but it’s also an earnest and well-crafted attempt at franchise course-correction.
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Review: Alison Krauss, David Gray find serenity now at Radio City

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Review: Alison Krauss, David Gray find serenity now at Radio City
Sometimes music is at its best when it’s stripped down to the bare essentials.
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Film Review: ‘Thirst Street’

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Film Review: ‘Thirst Street’
Nathan Silver has an eye for a great face — a beautiful one, marked and matured and made extraordinary by feeling — that you don’t typically see at the center of a movie.
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‘Lean on Pete’ Review: A Striking, Shattering and Altogether Sensational Journey [TIFF]

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‘Lean on Pete’ Review: A Striking, Shattering and Altogether Sensational Journey [TIFF]
Andrew Haigh’s Lean on Pete is a social realist drama of the highest order, combining the gentle pastoral touch of David Lynch’s The Straight Story with a probing sympathy for individuals on the edge of society recalling the best of the Dardenne brothers. There’s no armchair sociology here, just rich character observation steeped in a […]
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Toronto Film Review: ‘Jane’

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Toronto Film Review: ‘Jane’
The rediscovered 16mm material is shaped to re-tell a remarkable life story in terms greatly benefitting from the trust the cameraman had achieved with his subjects–chimps as well as spouse.
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Toronto Film Review: ‘Razzia’

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Toronto Film Review: ‘Razzia’
If political courage were a measure of artistic merit, Moroccan director Nabil Arouch’s “Razzia,” a kaleidoscopic drama about intolerance and social tumult in Casablanca, would be a formidable achievement. As it stands, Arouch’s decision to keep courting controversy after his last film, “Much Loved,” was banned from Morocco for its depiction of prostitution in Marrakech… […]
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‘Charm’ shines light on LGBT lives: theater review

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‘Charm’ shines light on LGBT lives: theater review
Philip Dawkins seizes inspiration from a real-life transgender icon in the latest play presented by MCC Theater.
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‘Jim and Andy: The Great Beyond’ Review: A Revelatory Treasure Trove of Comedic Brilliance [TIFF]

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‘Jim and Andy: The Great Beyond’ Review: A Revelatory Treasure Trove of Comedic Brilliance [TIFF]
“When did this movie start?” asks a modern-day Jim Carrey to director Chris Smith. It’s the start of what we know as Jim and Andy: The Great Beyond – With a Very Special, Contractually Obligated Mention of Tony Clifton. It’s also probably one of the more normal things Carrey says or does throughout the documentary, […]
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Toronto Film Review: ‘Catch the Wind’

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Toronto Film Review: ‘Catch the Wind’
Amid ongoing concerns about companies closing factories and outsourcing jobs to maximize profits, “Catch the Wind” offers an unlikely scenario: What if an employee simply followed her job overseas? That idea sounds absurd to everyone but Edith, a textile factory worker who doesn’t think twice about forfeiting her severance, abandoning her home and heading from… […]
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Toronto Film Review: ‘Breath’

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Toronto Film Review: ‘Breath’
There are plenty of good documentaries, but very few good dramas about surfing–a short list on which “Breath” instantly earns a prominent spot.
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Dylan O'Brien hits the spot in 'American Assassin' — movie review

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Dylan O'Brien hits the spot in 'American Assassin' — movie review
“American Assassin” starts slow but picks up speed and just outruns its own clichés to make for a gripping two-hour ride.
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‘Suburbicon’ Review: A Waste of Talent and Time [TIFF]

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‘Suburbicon’ Review: A Waste of Talent and Time [TIFF]
It’s not often that one film attempts so many different things and manages to make none of them work, but gosh darn it, Suburbicon somehow makes such blundering seem easy. Director George Clooney packs a whole lot of ideas into his tale of the underbelly of 1950s suburbia, but they’re really bad, lazy ideas, which […]
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Toronto Film Review: ‘Dark River’

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Toronto Film Review: ‘Dark River’
“You can’t go home again,” that age-old chorus of mature disillusionment, at first appears to be the driving current of “Dark River,” a severe, stoic but internally screaming third feature from gifted British writer-director Clio Barnard.
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‘Professor Marston and the Wonder Women’ Review: A Funny, Sexy Superhero Origin Story [TIFF]

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‘Professor Marston and the Wonder Women’ Review: A Funny, Sexy Superhero Origin Story [TIFF]
It seems Wonder Woman has not one but two origin films in 2017. After breaking the box office and single-handled rescuing the DCEU with Patty Jenkins’ Wonder Woman, the Amazon Warrior’s impetus is explored even further with Angela Robinson’s sweet, funny, and sexy Professor Marston and the Wonder Women. Robinson’s film follows the people who […]
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Venice Film Review: ‘Samui Song’

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Venice Film Review: ‘Samui Song’
Interracial love, religious cults, hi-so culture (Thai high society) and an appetite for raw offal enrich and distract Thai auteur Pen-ek Rataranuang’s classic noir about a marriage turned murderous. Mystery and danger percolate in “Samui Song” all the way till the elliptical ending, which leaves audiences with a sense of lingering disquiet. However, there’s a… […]
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Toronto Film Review: ‘The Ritual’

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Toronto Film Review: ‘The Ritual’
Solid atmospherics elevate a not-particularly-original conceit about four men encountering possibly supernatural menace while hiking in Northern Sweden.
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Toronto Film Review: ‘Gaga: Five Foot Two’

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Toronto Film Review: ‘Gaga: Five Foot Two’
The phrase rock star, as we know it, means a couple of things. It means rock star. And it also means someone who’s the celebrated badass master of his or her domain — he’s the rock star of tax attorneys, she’s the rock star of personal trainers, he’s the rock star of plumbers. By that… […]
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Toronto Film Review: Margot Robbie in ‘I, Tonya’

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Toronto Film Review: Margot Robbie in ‘I, Tonya’
“I, Tonya,” a Tonya Harding biopic starring Margot Robbie as the infamous figure skater the whole world decided it loved to hate, is a fresh, chancy, and wickedly enjoyable movie. It’s framed as a fake documentary (it opens with the characters beings interviewed 20 years later), and it has a tone of poker-faced goofball Americana… […]
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